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Or the ES-1 is a slide holder, which with the ideal lens, basically takes care of all of this, extremely easily. There is advantage of having the slide physically connected to the lens - there is no cam shake. The ES-1 does this. Otherwise, just using a short wood board, with a 1/4"-20 UNC screw (routine things in any North American hardware store) to hold the electronic camera at one end with its tripod socket, and holding the slide holder in front of the lens (among them with a short slot for adjustable moving distance to set focus distance to the slide), need to work well.

BR-5 step-down, 2. K 5 ring, 3. ES-1 This Nikon 60 mm f/2.8 D AF macro lens is about $500, and there are other comparable lenses. Someone commented that they rented a macro lens for $40 to do the task cheaply. It does appear an excellent idea to get your slide mounting/lighting setup primarily exercised prior to you rent the lens.

There is now a newer 60 mm AF/S lens, and a Nikon 40 mm AF/S DX macro lens, both of which have much shorter working range in front http://query.nytimes.com/search/sitesearch/?action=click&contentCollection&region=TopBar&WT.nav=searchWidget&module=SearchSubmit&pgtype=Homepage#/slides to digital of the lens, and must work (on a DX cam) without any additional spacers. The ES-1 attachés to a 52 mm filter thread, so it ought to fit any brand name of DSLR.

There are naturally other similar thread adapters much more economical. The ES-1 copy accessory is basically an empty tube or spacer. It is two telescoping tubes in fact, with a one inch length change. It telescopes to hold the slide from in between 45 mm to 68 mm in front of the lens filter thread.

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The macro lens does all of the optical work. DX cameras: (APS-C, 1.5 x crop factor) The ES-1 is developed for a full frame video camera using the Nikon 55 mm f/2.8 macro lens. The issue is that for today's DX digital SLR with the 1.5 x or 1.6 x lens crop factor, the 35 mm slide is half again larger than the DX sensor.

The 1.5 x crop sensing unit now needs http://augustqjxj843.cavandoragh.org/9-signs-you-need-help-with-digitalize-slides a smaller image, more like a 0.67 reproduction size (which is 1:1.5), to fit the larger slide onto the smaller sensor. That needs a longer working range in front of the lens. But the ES-1 does not adjust that far, which means that the cropped sensing unit body (1.5 x or 1.6 x crop aspect) needs an additional spacer in front of the lens so the ES-1 can be gotten used to hold the slide farther out in front, to look like the smaller Transferring Slides to Digital 0.67 size, so it will not be cropped excessively.

Rather, this is speaking of a basic tube about 20 mm long, with 52 mm threads on both ends, that goes in between the 60 mm lens and the ES-1, to extend the ES-1, to hold the slide a little farther out, to attain more far-off focus on the DX body.

So I utilized the K 5 tube shown (only the one K 5 threaded tube, and NOT the remainder of the extension set), which works terrific with the ES-1 on DX with a 60 mm D lens. The K 5 tube is a basic aluminum tube, 20 mm long, with 52 mm filter threads at each end, and this use positions it in between the lens and the ES-1.

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The ES-1 telescopes almost an inch (24 mm), but 60 mm on a DX body needs this much more (and the telescoping still enables change). Discovering that extra extension for a cropped sensor body is the issue. See more about the Various scenarios: Numerous Nikon users tell me that a Nikon 40 mm f/2.8 G DX macro lens works well with the ES-1 without additional extension or adapter ring (it is a DX lens).

My 60 mm Nikon AF Micro Nikkor f 2.8 D lens needs a 20 mm extra spacer (added between lens and ES-1) to cover the full slide frame on the Nikon 1.5 x DX DSLR. KEEP IN MIND: Mine pointed out here is the older 60 mm D lens. But the newer 60 mm AF-S lens is stated to have a much shorter working distance in front of the lens at 1:1 (50 mm new lens vs 71 mm old lens).

An old Nikon 55 mm f/3.5 macro lens on the DX electronic camera requires about 10 mm extension. These do 1:2, needing their own extension tube (behind the lens) to reach 1:1. But just 1:1.5 is needed to do move copies on DX, and rather, 10 mm extension (in front of lens) minimizes the obvious slide size to offer that.

I have actually not seen this lens, but slides to digital albuquerque it is said to have a 90 mm working range at 1:1, so this sounds easily best for slides at 1.6 x crop. A longer macro lens (like 105 mm) can naturally copy slides, however using the ES-1 with them appears less sensible (needs significant additional extension, however possible).

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See the Nikon ES-1 direction sheet. Full frame (FX) electronic cameras: The Nikon ES-1 was developed for full frame movie bodies to copy mounted slides at 1:1 with a 55 mm macro lens. The ES-1 instruction sheet likewise consists of the 60 mm f/2.8 D lens, defining it gives 0.96 to 1.0 http://www.bbc.co.uk/search?q=slides to digital recreation with the BR-5 mounting ring on a full frame video camera.

At right is utilizing a full frame D 800 with 60 mm D lens utilizing the ES-1 at its maximum extension (alone, with just the BR-5). It requires less extension for a closer enlarged cropped view, but this longer 60 mm lens can not focus closer than 1:1. This existing view seems extremely functional if you crop each one a little (which you likely wish to do anyhow, for the most part).