Transfer Slides Into Digital Format - The Facts

This indicates it should be better matched for the ES-1 (without additional extension). If scanning these old slides is your only goal, and presuming you already have the DSLR, and can find an extension tube for DX, you may compare the macro lens expenditure with a film scanner. The lens is not a film scanner obviously, and a digital electronic camera will NOT be appropriate to copy color unfavorable movie, but it works for slides.

The Nikon 60 mm macro lens is excellent for any close-up work, and https://www.washingtonpost.com/newssearch/?query=slides to digital I 'd presume the other similar lenses are fantastic too. I predict the macro would rapidly become your preferred lens. This ES-1 setup works effectively for scanning Discover more mounted slides rapidly - like magic after you master it.

The macro lens optical quality is exceptional, but the other aspects are maybe not truly optimal (haste, installing, framing, etc), not the very same as a genuine movie scanner. But still rather simple, and penzu.com/p/77712e14 which seems more than good enough for this function to regain thousands of old slides for sentimental purposes.

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Honestly, due to the months of work that would be required on a film scanner, this task went years without taking place at all. Above is a sample image copied from a 1990 35 mm Kodachrome slide, utilizing the ES-1 setup with the D 70S, 6 megapixels (is a cropped 1.5 x body).

The image is considerably bigger than your monitor screen, and to see complete size, you may have to save the bigger image and view with an image editor, or you might turn off Automatic Image Resizing in your web browser. The video camera macro lens seems the apparent bet for exceptional optical quality. :-RRB- Outcomes are undoubtedly excellent enough. And did I mention it is very quick? Evaluating extremes possibly, but here is the same slide copied with a Canon A 620 Power Shot compact electronic camera (point & shoot) in its macro mode. No extra accessory was used - its macro mode gets this close if zoomed to wide-angle.

Pixel measurements are approximately equivalent to scanning at 2500 dpi. This was a rapidly kludged setup for the one image here. (My method: keep piling on stuff to solve the next instant problem). The video camera was on a tripod. The slide was literally standing on edge on top of a light stand pole, accepted a piece of tape.

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This light was a 150 watt family incandescent light (potentially 2900K?) in a 10 inch clamp-on utility reflector on a light stand (about 15 inches from slide), through a plastic Tupperware tray (yet another light stand) covered with a white bed sheet to diffuse it sufficiently (this lighted area needs to be a number of feet wide, the slide at 1/2 inch is a broad angle circumstance).

The JPG was a little blue, and was adjusted here with -Blue and +Red. Car exposure http://www.thefreedictionary.com/slides to digital was ISO 100 and 1/80 2nd (dead time shutter to let camera stop shaking). This electronic camera takes 4:3 pictures, but the slide was 3:2, so completions are cropped. Or, a bit more range would have made the image smaller sized so it would all fit, and after that it could have been cropped to 3:2.

A straight edge held to the leading railing on the right reveals a comparable bow, which is obvious. Significant vignetting (dark corners). This is a quite severe scenario for the little compact cam lens. Not sure you would in fact wish to attempt this, however it can work. I did feel the extremely strong requirement for a practical slide holder.

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Compacts do not specify their macro recreation ratio, so the calculator can not include them. Many other approaches of holding and illuminating the slide are certainly possible. If you have a longer macro lens, you surely require something other than the ES-1 anyway. You simply require a diffused light behind the slide, and an electronic camera and macro lens in front of Transfer Slides to Digital it.

One common way puts a lighted white paper or foam board background a foot or two behind the slide, with the cam and macro lens on a tripod in front. Slide holder could be a plastic tablet bottle screwed to a board, with a slot cut at top to hold the slide standing up.

Cam tripod screws are a normal 1/4-20 UNC screw (Unified Thread Requirement, coarse thread, 1/4 inch size, 20 pitch per inch), typical in any North American hardware store. Speedlight flash is likewise terrific for freezing camera shake. Or, simply standing the slide on a routine lighted slide sorting tray is essentially the same thing, pointing the lens at it, rear lighted.

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The holder needs to be easy and quick and steady, you don't want it to move. Here's a digitize prints and slides cool DIY idea shared by Jim Simpson in Nova Scotia Canada. The grooved mounting for slides is 3/4 inch wood knobs, and it looks extremely useful and simple to run. Tokina 100 mm macro lens on Nikon D 7100 cam, using a white screen flashlight app (Android).

White balance is Cloudy, or Shade often (remedying private slides will vary a little). Mounting the camera and the slide on the same board minimizes any possibility of camera shake. Naturally, these do have to be mounted at the correct range so that the slide fills your frame at your normal 1:1 or 1:1.5 focus range.